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    Heat2010

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    #376496   2008-05-18 17:35 GMT      
    This is two questions
    What is your favorite interval between 2 notes (your not restricted to 1-8 it could be 9 or 11 or anything)
    What is your favorite interval between two chords in the same or not in the same key?
    Forgot to ask and Why?

    Illusion

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    #376497   2008-05-18 17:42 GMT      
    Perfect fifth
    It's the most stable interval and the Beginning of Star Wars.

    DawnsAwaken

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    #376498   2008-05-18 17:48 GMT      
    My favorite interval has to be the major seventh - sounds great, and the bare tritone is far overused in contemporary music today.

    As for polychords, I'm a huge fan of major-second polychords, although the aforementioned tritone sounds GREAT in winds/brass. I use M2's more, so that's my final answer.

    Mitch

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    #376499   2008-05-18 17:58 GMT      
    I like the fifth too, but octave is just as cool.

    Victory

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    #376500   2008-05-18 18:04 GMT      
    Minor 6th. Its just so haunting and lovely.

    ~Lisa

    MindsEye

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    #376501   2008-05-18 18:09 GMT      
    Out of habit, I find myself throwing in and resolving suspended fourths a lot. Lately I've been doing a lot of seconds.

    ... FWIW, Star Wars first interval is a first, the first jump is a fourth (G - G - G - C -G - F - E - D - C - G - F - E - D - C - G - F - E - F - D). Star Trek's first two intervals are fourths. (C - F - Bb then A- F - D - G - C, so there are two more fourths after the reverse arpeggio of the Dm chord.)

    Rob

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    #376502   2008-05-18 19:20 GMT      
    Favourite interval, eh? Let's see.... I like fourths. I like the "weirdness" of it. Use it a lot for harmonies and especially counter-melodies in the little tunes I write. Also like the ninth, for the dissonance.

    Intervals between chords... Hmmmm, a bit more tricky... I use a lot of weird chords like a D Major with the added ninth(there's that nine again!)... Maybe an F Major w/ the ninth to a C Major? Gives a rather empty, hollow sound that really wants to resolve, and then goes to something nice and full and happy sounding. Keeps you on your toes. Either that or I'm just weird ;)

    Good question! You get a star!

    HappyHamster

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    #376503   2008-05-18 21:59 GMT      
    As a harmonic interval, I like the major 7th because of its piquancy,and its use in a number of juicy chords.

    As a melodic interval, I find I use a lot of rising perfect 4ths and since I am a fan of the lydian mode, I also use a rising augmented 4th with frequency. (love that dominant sharp 11 chord).

    2 major chords set a tri-tone apart (the "Petrushka") sound has a satisying color to me.

    Sometimes it's not the distance between the roots, but the spacing and inversion of the chords that creates its special character.
    F'rinstance, in the "Rite of Spring", Stravinsky uses a root position E major chord, with a 1st inversion Eb7th superimposed over it . (the famous "Stomping Dance"). Listen to the difference if both are in root position. Totally different color.

    Snowflake

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    #376504   2008-05-19 08:32 GMT      
    I like the augmented sixth, because you'll hear it and think it's a minor seventh, but then it'll resolve differently.

    Favorite interval between two chords? I like two chords a major third apart where the lower chord is minor and the higher chord is major. (c minor to E major)

    Dinosaur

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    #376505   2008-05-19 10:57 GMT      
    Being entirely facetious, any when the bar is accessible.
    > 1 <